Prithvi Narayan Shah’s Music Policy

Authors

  • Shree K.C. Sirjana College of Fine Arts, Nepal

DOI:

https://doi.org/10.3126/sirjana.v5i1.39746

Keywords:

Prithvi Narayan Shah, Music Policy

Abstract

Most writers describe Prithvi Narayan Shah as someone who didn’t really appreciate music. However, his grooming in the palace with different rituals accompanied by musical chants of mantras and his attachment with his fellow friends in his childhood shows that he had adopted musical in a very cultural manner.

In his ‘Divya Upadesh’, he has shown views of preserving and protecting Nepali culture by promoting Nepali music and Nepali artists. Bise Nagarchi, a musician helped Prithvi Narayan Shah in his unifying campaign by encouraging and refreshing the people at war through his music.

This article will enlist points that showcase facts that show he was not against music and also review some of his ‘Dibya Upadesh’ through a more musical perspective. Both primary and secondary data have been used as the source of content in the making of this article.

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Author Biography

Shree K.C., Sirjana College of Fine Arts, Nepal

Shree K. C. did his Master's degree in Music (Vocal) from Banaras Hindu University, India. He represents Dagar tradition of Dhrupad. He has performed in many prestigious stage shows. Presently he is associated with the Central Department of Fine Arts, TU and Sirjana College of Fine Arts. His articles on Music are published in different publications.

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Published

2018-12-01

How to Cite

K.C., S. (2018). Prithvi Narayan Shah’s Music Policy. SIRJANĀ – A Journal Of Arts and Art Education, 5(1), 74–81. https://doi.org/10.3126/sirjana.v5i1.39746

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Section

Articles