Purna Man Chitrakar (1864 - 1939 AD): A Pioneer - Least Celebrated

Authors

  • Madan Chitrakar Sirjana College of Fine Arts, Nepal

DOI:

https://doi.org/10.3126/sirjana.v5i1.39738

Keywords:

Purna Man Chitrakar

Abstract

A frequent debate or an issue favorite amongst the art-history buffs is usually found around when and who first used oil paints as a medium of painting and introduced photography in Nepal. On many occasions, the credits were attributed to a legendary name – Bhaju Man Chitrakar or Bhaju-macha. But it appears now many of those narratives were made more based on the popular hearsays rather than actual study of his oeuvre of works or a credible analysis of the circumstances then.

The essay here seeks to analyze the roles of the prominent artists then – spanning late 80s of the 19th century to the late 30s of the 20th century. It is found the role played by a least celebrated artist Purna Man Chitrakar, seemed more credible – in ushering a new era, described as ‘Pre-modern’, with the irrefutable accounts of his workings in oil colors and photography.

Moreover, his mentorship of many of the junior artists later proved momentous – leading to create different new streams in the evolution of Nepali Art – later.  

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Author Biography

Madan Chitrakar, Sirjana College of Fine Arts, Nepal

Madan Chitrakar is a senior artist and an art writer based in Kathmandu. Three well acclaimed books "Tej Bahadur Chitrakar - Icon of Transition" (2004), "Nepali Art - Issues Miscellany" (2012) and "Nepali Painting - Through the Ages" (2017) remain to his credit, in addition to the numerous writings on Art and Culture in English and Nepali. Presently, he is associated with Sirjana College of Fine Arts as the Principal.  

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Published

2018-12-01

How to Cite

Chitrakar, M. (2018). Purna Man Chitrakar (1864 - 1939 AD): A Pioneer - Least Celebrated. SIRJANĀ – A Journal Of Arts and Art Education, 5(1), 16–27. https://doi.org/10.3126/sirjana.v5i1.39738

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Articles