Caryā of Guhyasamājatantra: A divine drama

Authors

  • Arun Shrestha

DOI:

https://doi.org/10.3126/sirjana.v6i1.39671

Keywords:

Guhyasamājatantra, Buddhist Tantra literature

Abstract

A very common understand of the word caryā brings to our mind often heard of the vajrayāna religious song known to us as caryāgīti accompanied by caryānŗtya. An apparently outward symbolic representation of the word in song and dance finds a deeper meaning when dwelt in depth. A thorough investigation into caryā opens up vast insight of vajrayāna philosophy and doctrines amalgamated in rituals of vajrayāna religious practice composed of sādhana, maņđala, mantra and mudrā with ultimate aim of emancipation in the present life itself. In essence a yoga practice with intricate procedures leads sentient beings to the world of spiritualism composed of esoteric ritual practices with a touch of aesthetical experience inherent in caryāgīti and caryānŗtya.

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Author Biography

Arun Shrestha

Born April 24, 1947, with schooling and initial college years from Mumbai, Maharashtra Board and Bombay University, graduated from T.U. Kathmandu in Economics and English Literature.

Career spanned as a management personnel (Director/GM/MD) in the private sector of handicraft house (Kathmandu Travels), airlines (Nepal Airways), ground water management (NEDRILL) and consultancy (USAID) with addition of a contribution as a training and assistance personnel to Election Commission and Ministry of Tourism.

Two papers presented on Caryā and Caryānŗtya on the auspices of Department of Education and Sanskritik Sansthan, Kathmandu, Nepal.

Caryā: Dancing Away to Nirvāņā, a book based on study of ‘Ahorātra Pada Sādhana Vidhi’ ready for publication.

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Published

2019-12-01

How to Cite

Shrestha, A. (2019). Caryā of Guhyasamājatantra: A divine drama. SIRJANĀ – A Journal Of Arts and Art Education, 6(1), 36–45. https://doi.org/10.3126/sirjana.v6i1.39671

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Articles